24 August 2013

The Dangers of Corporate Censorship

On Monday my television received Current TV (though by that time it was mostly showing mostly the penultimate and final days of people like Jim Morrison and Richard Pryor - or maybe it was non-stop episodes of Vanguard, which is has been among the best American journalism in the past eight years or so).  On Tuesday, when that channel had transitioned to Al Jazeera America, it was no longer available for my viewing pleasure.

We are in the throes of a debate about information and the power of information, though that may not be obvious to most of us.  Sure we've all watched the spectacle of Edward Snowden's escape to Russia, though much of our attention has been centered on Snowden's weirdness (he's got sort of a 'foreign vibe', even though he was born in North Carolina... or it may just be a 'geek vibe', though I, myself, am a bit of expert with that and it doesn't usually trigger my odd-radar), but the real debate about who ought to have access to what information and how much that should cost (if anything) is raging.  This debate is also not just a debate, it's a battle and has already had casualties.

In the era of WikiLeaks, the end of internet privacy (at least for people cool enough to have twitter followers or loads of Facebook friends), and corporate data-mining, information has become a commodity (and to say so, a cliche).

The other side of #openInfo, though, is, necessarily, the free dissemination of all perspectives.  Right now, corporations have access to all manner of information about our everyday lives, preferences, and activities (governments may also be privy to the same), however, as soon as a private news organization, with a stated desire to broadcast all perspectives and de-centralize American journalism, begins its broadcast (or even its earlier Western Hemispherical movements), American corporations say, "no, that information is not suitable for your consumption" to its customers.

This has been largely covered by the mainstream infomedia... (the Slate article I link to here focuses on the unusual financial situation of Al Jazeera and raises the "problem" of non-profit news [though I, for one, cannont understand why anyone would think it a problem that an organization whose purpose is to disseminate information is not primarily focused on profits.  To me it's a similar no-brainer to the {non}question of for-profit colleges or health care companies that are more interested in profit than patients]).  

#RachelMaddow has been on a kick of late, focusing on information-redaction in a North Carolina county election board.  She's also been smartly encouraging folks to subscribe to their local newspaper, which is a great idea and the only true possibility today of keeping in touch with actual local news.  The logic runs like this: if you don't subscribe to a hard copy or online pay portal of your local news, that organization will have less money to pay actual local journalists...  So, in addition to the problem of profit motive, this leads to a problem of non-local news (or local news which is more 'earned media' by corporate interests, commentary and fluff than actual reporting).  Sound familiar?

Al Jazeera America reveals another obvious pitfall of American journalism, which is its inherent 'coastalism.'  Coastalism has, necessarily, been a problem of our nation since its inception, but the continual focus on our geographic extremes has lead to our polarized political standing today.  The disintegration of hard news and the 'talking-head-ification' of news broadcasts has re-centered journalism on the conversation and not the content.  Just imagine what it will mean when there are journalists in news bureaus in Chicago, Nashville, New Orleans, and Detroit (DETROIT!) to name a few, who are vying to get their stories on the air.  

AJAm will approach American news, I hope, with a fresh set of eyes, realizing that their is a whole middle of the country, which is under-represented in most American journalism.  Reactionary companies like Time Warner and AT&T should be boycotted as much as possible until they come to understand that restricting the type of information available to people is immoral if not criminal.  In the end, I expect AJAm will be available on U-Verse, but the attempt to destabilize the launch makes AT&T yet another American corporation worthy of scorn.  Not that that's really news to anyone...

13 August 2013

Taxi!

Subjects in motion...

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March 2019
I don't know what this article was about.  There is, in retrospect, a reason for its existence... Happy Hour.

It turns out, a happy hour is listed on my family-shared iCal on this evening.  I think it may be that this was Brooke's hh rather than mine - she was the one mainly using our shared iCal at this time.

However, if this was a pre-Val&Sean wedding hh or work related and i wasn't invited, i was likely spite drinking at home alone at the Colonel.

Thus the late-night blog post not yet a half-dozen years ago.

The one clue, "subjects in motion..." implies to me that this was going to go in the direction of theory.  My Arfives don't help specifically, but i had recently (or would soon) see This is The End, which I'm not sure how or why, but may have been related to this.

My summer 2013 (with a lot missing):

3 September 2013


more missing (including Bill Maher @ the Chicago Theatre on 16 June 2013)


02 July 2013

Rex is Rex

Rex Grossman has been feeling a bit under the weather lately (see pic - note: er ist noch am leben - I know it looks a bit  like a chalk outline or some sort of ritual flooring).

He's doing well and we are once again indebted to Dr. Singh (side note to anyone in the Milwaukee Metro with a pet on the brink, Bayshore Vet in Shorewood is the best).  


** Update as of 7/10/13: Rex is back to 100% and acting normally.  We went to see Dr. Singh again today for a final check and his infection seems to have abated.  After a couple of routine vaccines, Rex was good to go, though, the promised 'sleepiness and lethargy' as a result of his shots did not come to pass...

Who's a good dog?

13 June 2013

ooh! ooh!, did you read Joel's new tweet?!

Talking about a tweet you read (or in this case wrote) on a blog is kind of like discussing what you heard on the radio later in the day...

That being the case, I am, and have never been, cool.  I have re-watched the movie, Bulworth, and found it as redeeming as I did when it was first released.

It is my firm belief and desire that you do the same... on both counts.

Let me know.

03 May 2013

What is the opposite of Freedom?

If we take this question at face value we probably come up with some obvious preliminary answers like slavery or oppression. A more etymological answer might try to contend with the idea of free- first, where unfree- would mean something like ‘being subject to someone (or something) else’ and then deal with –dom. “un-dom” might mean being outside the state of (or realm of) free-ness (or in this case un-free-ness). Then the opposite of freedom becomes something like ‘a state of existence outside of subjugation’, which I think we might also define as ‘freedom’.
a picture of freedom generally involves standing with spread arms

I might add to these initial (good) answers the troubling notion that debt might be a very good contemporary answer to our question. Or even commerce or exchange in general. A more radical answer might even be love or friendship or community.

I think what I am most concerned with here is the notion of a presumed value or good.  Freedom seems like something we all agree is good.  We like it.

I'm rereading House of Leaves with my Theories of Revolutions class and on this go-round (it's more of a maze for me now than the labyrinth it once was) it seems to me that the central metaphor of the novel holds that life is a journey... through a labyrinth.  However, there also appears to be a certain amount of cheats built into it, either you can cheat it (break through a wall or imagine new solutions) or it can cheat you by shifting its architecture and 'changing the rules'.

In the novel it becomes clear that the metaphor is just a shell game, but my title question occurred to me as I was reading this earlier today:
Another resource to help us think this through a bit might be the actual definition of freedom and what the entries seem to think freedom might not be.

Without confine or constraint, what do we have to do but stand, arms spread wide, trying to take up as much space as possible.  It seems to me that we need the limitations if for no other reason than to have common space on which to start a conversation (or relationship).  I think Marcuse/Hegel's point is that we need to be able to think outside of those limitations, but inevitably cannot actually act outside of them.


*As a side note, I think this quote also does a fairly good job of articulating why people tend to not enjoy talking to me at parties or late at night...

01 May 2013

Waiting by the Vent

I'm standing in the hall as my students complete what will very likely be my last UW-M evaluation and it occurs to me that this phase of my life is rapidly coming to a close.

Of course I have my dissertation to complete (pesky detail) and I fully (though perhaps mythically) believe I will land back in the throes of academia soon, and finally (and finely), but my time of first and foremost defining myself as 'grad student' is done.

Oops, they're calling me back in.

#erstwhility

30 March 2013

Terror and Horror

While re-reading I Am Legend, the great precursor novel to most modern zombie films and fiction by Richard Matheson, the following passage gave me pause:
"'It's horrible,' she said. 
He looked at her in surprise.  Horrible?  Wasn't that odd?  He hadn't thought that for years.  For him the word 'horror' had become obsolete.  A surfeiting of terror soon made terror a cliche.  To Robert Neville the situation merely existed as natural fact.  It had no adjectives."
It was not

*   *   * 

August 2018


This


*  *  *

May 2019

I was going to revisit this last year it seems - it's a concept that I am fond of.  The Matheson quote seems to conflate the two terms, and I think that was why I was interested in it.

I'm interested in what the difference between terror and horror in literature and film and art:

Terror - The literary fear.  A sublime experience of the darker sides of humanity.  An experience of something that scares us, but one which we value - that we take something away from and grow from.
Horror -  The gross out fear.  A scariness that (historically) is assigned no redeeming value.  A 'cheap thrill' of a scary text.  An exploitation of human drives, appealing to the lowest common denominator.

We might think of the distinction of these two as the difference between Edgar Allen Poe and H.P. Lovecraft.  M. Night Shylaman's oeuvre versus George Romero's zombie movies.

In my former academic life, I was much interested in that lower form of existence and what we might learn about ourselves by looking carefully at it.  I took a course called "Art History and the Value of Being Disturbed" and found myself an outsider who some of the others in the class.  They wanted to look at artists like Maplethorpe, Serrano and Ofili and claim disturbance from something that aligned strongly with their political views.  I was looking at Eduardo Kac and Brakhage's Pittsburgh Trilogy and Bodyworlds and trying to look straight at things that I'd rather not.