Imagine a show where the closer is "When the Saints Go Marching In" and a group of 4 middle-schoolers in front of me (who entered normal, pissy, stupid middle-schoolers, not some home-schooled variety) unsarcastically singing along with a song whose 1st verse is:
We are climbing, Jacob's Ladder/yeah we are climbing higher and higher./We are climbing, Jacob's Ladder/We are brothers and sisters all.A 12-year-old, with moppy hair, who when he first came in was only concerned with looking cool & looking bored, was up and down for every other folk song & loudly sang along with "We Shall Overcome". I knew a few of the songs (mostly i know Pete Seeger's Songs for Children), and could sing along with the rest, because like most good folk songs, you can catch on pretty quick. I loved how diverse a crowd could get excited about gospel music, civil right songs, and a lot of damn good instrumentation. The whole crowd continued to sing a chorus over and over when Bruce & Company left the stage before their encore... I half expected everyone to hold hands & sway when "We Shall Overcome" came on. I think if the Boss had suggested it, that's just what would have happened. It was such a great show. One of those brief moments of hopeful elation where you think maybe a mass of people as large as a stadium crowd can 'get it' all at once, can feel together, if only for a short moment.
Then, in the men's room on the way out a guy farts as he's peeing & 4 or 5 other guys, seemingly complete strangers make fart jokes at his expense for the next minute and a half. *sigh* . but at least for a moment...
3 comments:
How could you not make a pun on your name?
well, limericks don't fit in the title line...
It occurs to me that a great explanation of this collective elation can be found in Barbara Ehrenreich's Dancing in the Streets, which is a great read...
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